Monday, March 24, 2025

Project Links

Film Opening - https://youtu.be/xyIQFPT4yZQ

CCR 1 - https://youtu.be/G6Lvu19eak0

CCR 2 - https://youtu.be/gT7fAt13hcM

FINAL REFLECTION

 So... These past couple of months 4 blog posts a week dedicated to the planning, production, and finishing touches to this film opening are finally coming to an end... I am very proud of how consistent I've been and even more proud of the final product. All the pieces of the puzzle came together and I executed the vision I had from the beginning. This has been a great experience and I enjoyed pushing my creative and artistic limits with this project It has sparked an interest to do more things like this so I am planning to in the future. Overall I'm grateful for this experience and I had fun during the process. The last thing I want to say is that I am greatly thankful for my wonderful teacher Mrs. Stoklosa who walked me through and helped me and provided all the resources needed throughout the entire process for me and my peers to excel in the process of creating this film opening. 

Benjamin Marchan signing off....:((((

Thursday, March 20, 2025

Post Production of CCRs

I filmed and edited both of my CCRs on the same day, which helped me keep the same style and stay organized. I chose a format for the first CCR that looks like a "behind-the-scenes" video, similar to the extra content you might find on a DVD. Because of this choice, the editing was pretty simple. Most of the work was just adding text on top of the behind-the-scenes clips I filmed during production.

I also included a few scenes from my actual film opening. These clips fit well with the behind-the-scenes style and helped give the feeling that the viewer is watching bonus content that shows both the making of the project and parts of the final film. I think this choice worked well because it matched the theme I wanted.

I did all of my editing in Adobe Premiere Pro. I used simple tools like adding text, cutting clips, and using smooth transitions to make the video flow well and look interesting. In the end, I think the editing process was quick and helped me create a project that answers the CCR questions while keeping the same style as my film.


Wednesday, March 19, 2025

Production of CCRs

To get ready for filming the behind-the-scenes CCR, I wanted to find a background that would look like a behind-the-scenes area on a movie set. I didn’t want it to look too perfect or staged, but more like a casual space where someone might sit and talk about a project. I looked around and decided that my backyard would be a great spot. The greenery in the background gave it a natural, simple feel that fit the look I was going for.

Once I picked the location, I set up my tripod and placed my phone on it. Then, I grabbed a chair to sit in while I filmed. I kept everything simple to match the style of a behind-the-scenes interview, and I think it worked well for creating that “bonus feature” look I wanted. Combined with the clips of the film opening cut up through it makes it look even better.

For the second CCR video, I decided to keep it simple by making it look like a press junket interview. I thought the best background for this would be something clean and plain, so I chose a blank white wall in my house. It gave the video a simple and professional look, just like you’d see in a real interview setting.

To make the lighting feel more like an actual interview setup, I opened the curtains to let in more natural sunlight. Then, I used some adjustable lights and pointed them toward me to make sure my face was well-lit. This helped create a bright and balanced look on camera, which matched the press junket style I was aiming for. I made sure to also film myself walking into the interview and sitting down like a real-life one would.

Sunday, March 16, 2025

Group Meeting Summary 2

 During a class, we had a group meeting and I was in a group with Keyla, Bella, Santiago, and my buddy William. 

Keylas film opening is about A lobotomized girl in the 1900s who runs through a park with her diary, watching clouds. She finds her twin’s old dress. The scene feels like a child’s memory, with bright colors. A hidden noose under her earrings hints at danger. She filmed at Markham Park.

Bellas is about A woman who sets up dinner while getting strange messages from men. She kills men on dates that aren’t perfect. It starts with a record player and slowly gets creepy. Dark lighting and flashbacks show her past murders. It feels like a slow, scary thriller. Bella is using pretty advanced lighting techniques to enhance her horror theme as well as using props like fake blood.

Santiago was about a man getting kidnapped over and over again and he showed pretty impressive makeup his mom did for him to show that he was "beat" he focused on lowkey lighting and he's filming in his garage.

Wills film opening is about a kid who works at a golf course and it starts off showing him being late to work then he sees a pretty girl which motivates him to change up his life and start improving himself. He will be filming at a golf course and has been practicing due to clips of him golfing will be included.


Saturday, March 15, 2025

CCR Question 4 Script

 I mentioned the theme of it in my last blog post

PRESS JUNKET INTERVIEW SCRIPT

INTERVIEWER:
How did you integrate technologies software, hardware, and online tools in this project?

DIRECTOR:
For hardware, used an iPhone we were looking for that sharp, cinematic look, especially during wide sports sequences and close-ups in the locker room.

DIRECTOR:
On the software side, we used iMovie for editing it allowed me to cut between action and emotional beats smoothly. We also used color grading to get that warm, nostalgic tone.

DIRECTOR:
Online platforms also played a big role. We shared production updates and teasers on social media, which helped us engage our audience early. We also used cloud tools like Google Drive to organize scripts, and shot lists, and share footage with the team remotely.

INTERVIEWER:
Sounds like you really focused on technology for this one!

DIRECTOR:
Absolutely. It helped us deliver a polished, professional product and kept the entire production efficient.

End with the project’s logo



Friday, March 14, 2025

CCR Question 3 Script

For CCR questions three and four my idea is to make them like a modern-day promo with a dark background in a hotel room.


PRESS JUNKET INTERVIEW SCRIPT

INTERVIEWER:
How did your production skills develop throughout this project?

DIRECTOR:
This project really pushed me as a director. At first, I knew how to handle basic shoots, but taking on a sports drama meant managing bigger setups multiple cameras, choreographing action scenes, and coordinating character movement, especially during those intense training sequences.

Cut to BTS footage of the director setting up football scenes, and guiding during drills.

DIRECTOR:
I improved my ability to pre-visualize. I learned to think ahead, designing shots that not only captured the action but also told the emotional story underneath. It wasn’t just about showing training it was about showing the relationships on and off the field.

Cut back to DIRECTOR at the junket.

DIRECTOR:
I also developed a sharper eye for lighting and color. We used warmer tones to make the character’s personal moments feel intimate, and cooler shades for the tension during competitive scenes. Before this project, I didn’t fully appreciate how much color palettes can affect tone.

DIRECTOR:
And honestly sounds. I dove deeper into how background noise, like breath control, weights, and contact with the field adds to the realism of a sports film. It became clear how vital sound design is in elevating the audience’s immersion.

DIRECTOR:
I came out of this more confident, more collaborative, and more prepared for complex projects. It’s been the biggest step in my filmmaking journey so far.

Project Links

Film Opening -  https://youtu.be/xyIQFPT4yZQ CCR 1 -  https://youtu.be/G6Lvu19eak0 CCR 2 -  https://youtu.be/gT7fAt13hcM